This is the last print edition for this anthology. I'm getting old and confused and I need to take a break from publishing for a while. Haven't decided whether or not I'll come back to it (I do enjoy putting out a good book - it's just all the other B.S. that goes with each project). In any case, this last issue has over one hundred poets in it; nearly twenty artists featured; an interview with Basia Miller, a poet from Santa Fe, NM who's had a very interesting life; the winners of the Angela Consolo Mankiewicz Poetry Contest (Canadian John B. Lee, Americans Elaine Mintzer and Alexis Fancher); rounded out with essays and stories, including an essay on poet Tony Moffiet by John Macker. If you enjoy poetry, Lummox 9 gives you a wide perspective of the state of the art, here in the small press. I believe there's something for everyone. View on Issuu https://issuu.com/poetraindog/docs/lummox9e-book
By Linda LernerISBN 978-1-929878-51-2 32 PAGES; TRADE PAPER Linda Lerner, a small press veteran of numerous years, has put together a volume of "nursery rhymes" with a distinctly modern interpretation. Along with the drawings of her friend and artist, Donna Kerness, Lerner takes on such classics as London Bridge is Falling Down, Ring Around the Rosy, Jack Sprat, Rip Van Winkle and Humpty Dumpty. "Poet Linda Lerner pens modern day nursery rhymes, playful but with well-placed poetic barbs, thrown at our everyday insular lives, and the injustices that are ignored by us or experienced by us. Lerner gives us rhyme for our time." Doug Holder/ Lecturer in Creative Writing/Endicott College/Beverly, MA CONTENTS We What Just happened Catch Me If You can The Sound of London Bridges Falling in NYC Ring Around the Rosy: A Danse Macabre The Mother Who Gives Birth to a Poem Remember, remember the Fifth of November Stumbling on Jack’s Road An Old Wives Tale or a Rip Van Winkle Story When Every Color Became Red Humpty Dumpty Linda Lerner's Takes Guts & Years Sometimes was published by NYQ Books, June, 2011; she’s previously published thirteen collections of poetry and been nominated twice for a pushcart prize. Her poems have recently been in New Verse News, Gutter Eloquence, The Brooklyn Voice, Danse Macabre, Two Bridges, Presa, Fall, 2011 (featured poet) Lummox, Home Planet News, Big Hammer, and The Mom Egg; her essay "Land Grab: Putting Down Stakes" appeared in The Brooklyn Voice, March, 2013. Her next collection, Yes, the Ducks Were Real, will be published by NYQ Books. Donna Kerness has been producing Art of various mediums over the years. Her inspirations have emerged from her past... She was a Dancer at the Henry Street Playhouse with Alwin Nikolais, and Murray Louis, a casual fellow poet and friend of Linda Lerner, and an Underground Cinema Super Star, in the movies of the Kuchar Brothers, during the Sixties in New York. After relocating to San Antonio and raising a family, now is working with Sketching, Drawing, Painting and Multimedia Art which has been exhibited at the Highwire Gallery, in San Antonio, Texas.
ISBN 978-0-9984580-3-8 FORMAT: 5.5 X 8.5 inches; Perfect Bound 36 pgs
By Linda Lerner and Donna Joy Kerness
Between 1692—93 twenty people were accused of being witches and executed in Salem Massachusetts. Nineteen were hanged on Gallows Hill, and one elderly man was pressed to death by heavy stones after he wouldn’t enter a plea. Several others died in jail.
My purpose in this collection is not to retell what happened, which is widely known, or to give an account of Arthur Miller’s powerful, play, The Crucible. Instead, I’ve chosen to use his technique and blend characters together with people we know living among us.
What is going on now in this country makes it especially poignant for me, but to restrict it to that, is also too limiting. I see the situation as something ongoing, barely noticeable, until an accumulation of incidents makes it impossible to ignore, its darkness sweeps down on us, and we have no choice but to rise up and confront it.
400 years is next door, across the street, the place where you live and work; it is the distance between one neighbor and another. The village was called Salem then. Its villagers walk among us; they act like us. We do not recognize them. We prefer not to. — from Linda Lerner's introductionWatch Linda read from this book here.