All Books

  • 252 pages Trade Paper 6 X 9 ISBN 978-1-929878-68-0
    By Joseph Gardner
    This book of poems was written for people who normally wouldn’t read poetry. Through these stories you are taken on a forty year journey that began during the height of the cold war and carries onto the new millennium; from one side of the country to the other. Nothing is hidden in these words, all the veneer is stripped away to show the beautiful vulgarity that is life and humanity. These poems read like the pink slip the foreman just handed you or the three day pay or quit notice tacked to the door of the apartment. It is the beeping of the repo-truck and the sudden surprise of the electricity being turned off. It is the first kiss, the first fight, and the first divorce. — Timothy Spencer Poems like “Paying Rent,” In the Shadow of the Bomb,” and “Bar Fighting with Mullets,” demonstrate both his matter of fact ethic and his combination of humor and pathos. Gardner can use the same 16-line poem to make you laugh and make you pause for a moment. The geography of Gardner’s imagination is the California of Steinbeck, Woody Guthrie, Bukowski and Tom Waits. Family memories are recounted and childhood heroes populate the poems. The vocabulary is everyday life and Gardner’s objective is to show you the world through his eyes. — Mike “The Poet” Sonksen
  • By Ann Curran
    The poems in Ann Curran’s Knitting the Andy Warhol Bridge flash with a quiet brilliance. An adroit wordsmith, Curran turns clever on its head; her poems can become deadly at the least provocation, not to mention funny, dark, illuminating, and often, heartbreakingly sad. Her poems celebrate life in all its sullied glory. No subject escapes her critical gaze: weddings, sports stadiums, parolees sharing a moment, adoption, racism, war, rumors, love, death. Even the penis is fair game for her wit. These poems sparkle with specifics; they dig deep, nudge the reader toward tolerance. “The New Pastor” “urges the faithful/ to open their hearts to different people: the food co-op kid with rings in his nose,/ lips and eyebrows, the Latino next door,/ college students with raucous beer parties,/ even the half-black U.S. president./ Put down the iPod, the Wi-Fi-fed notebook. / See the live people. …Deal with the real.” This timely, remarkable collection deals with the real in a profound and brand new way. It is a considerable achievement and a terrific read. — Alexis Rhone Fancher, poetry editor of Cultural Weekly, author of State of Grace: The Joshua Elegies, and How I Lost My Virginity to Michael Cohen and other Heart Stab Poems
  • Edited by RD Armstrong 150 pages; 6X9 sized Trade Paperback ISBN 978-1-929878-86-4 This is the reprised version, new and improved, and ready to take up the banner dropped by the old man so many years ago (we just celebrated Buk's 93rd birthday in Aug. of 2013). If you ever wondered what Bukowski spawned by his example, then you need to read this book, which contains poetry, fiction, essays and artwork all inspired by the old dog!  
  • ISBN 978-1-929878-53-6 162 pages, 6 X 9 inches, Trade Paper
    By Alan Catlin
    “Let’s ride the angels goodbye.” —Jack Micheline
    Just before the bar war to end all bar wars, the girl with an unbreakable heart leaned over the bar, ripped the buttons off her shirt and said, “I don’t need no ink or silicone to prove I’m a 100% Grade A American Babe.” The way she said it seemed more like a statement of fact than an offer or a dare: regardless, no one was inclined to disagree. So the barman was thinking, momentarily distracted before the overhead rail lights were pulled down, long neck Buds hit the back bar bottles and wall to wall chaos ensued: a flash flood of violence taking out everything in its way. If this were an indie movie all these bodies in motion would be slowed to half speed, made into a grotesque ballet, a techno Rave with flickering lights momentarily revealing distorted faces, flexing muscles, a strange, almost beautiful, mise en scene only a 911 call could interrupt, could make complete, with police whistles, drawn truncheons, and Taser light shows; but it wasn’t a movie, only something like real life. Hours after, the blood dries on the hardwood floors, the click of the muted jukebox cycling most played songs, priming the invisible crowds, and an almost suffocating rush of forced wet air as the lifeless night turns into day. The last man standing behind the bar sips his bottomless pint, and cut glass shots, through a short straw, dulled pains slowly ebbing into an alcoholic daze. — Alan Catlin  
  • 132 pages: 6X9 sized Trade Paperback ISBN 978-1-929878-90-1
    By RD Armstrong
    This is the leaner, meaner fighting weight version of E/OR. All the beautiful pieces with none of the fat.
  • Me First

    $15.00
    ISBN 978-1-929878-44-4 120 pages, 6 X 9, Trade Paperback
    Ann Curran has written a book like no other. With a reporter's eye and a poet's vision, she has created a new genre—a poetry of utter frankness. For grief, see the Kennedy poem. For candor, the poem to Maxine Kumin. For accuracy, her lines on "cagey" Seamus Heaney. Whether the subject is the million dollar sale of a bishop's mansion, the Warhol and Ginsberg myths or the "profound" jottings of Kay Ryan and other superficialists, this is poetry at war with fakery on all fronts, and it's as unignorable as it is rare. —Samuel Hazo, director, International Poetry Forum, professor emeritus, Duquesne University. The “me” of these poems celebrates “connecting.” Ann Curran identifies persons and associations that have places in her drama. The voice can be modest, sardonic, even outrageous. Never just chronicler and seasoned by her years as a reporter, no foolishness and no person goes unnoticed. The writer’s wit, balanced by tenderness, makes the reader look forward to each poem. You want to laugh, cry, applaud. You’ll love her authenticity. —Rosaly DeMaios Roffman, professor emerita, Indiana University of Pennsylvania.
    Me First Sampler  
  • ISBN 978-0-998458076 108 pages, Trade Paperback
    By Alex Johnston
    For me, writing poetry is like solving, and then creating a puzzle. I see or experience things I know I want to write about, we all do. Figuring out a way to put those experiences on paper, so as to make them readable, is how one solves the puzzle. Avoiding straightforwardness and balancing on a knife edge, between enigmatic and readability, is how one creates the puzzle. I spent nearly three years revisiting, rewriting and re-getting pissed off at, The October Horse. I reference this poem so much because it is also almost entirely autobiographical (as is most of the book). I trudged through problems with addictions, like so many other 20 somethings, and I was maybe one or two bad decisions away from writing this book in prison (lucky me). The poem is so important to me because even when I was in the total animal soup of time (Ginsberg again!), I knew I wanted to write about that chapter of my life. — Alex Johnston
    Read a sampling of poems from this book here. Read an interview with Alex Johnston here.  
  • 116 pages; 6X9 sized Trade Paperback ISBN 978-1-929878-99-4
    By RD Armstrong
    Three poems written about road trips...the lure of the road, the frantic pace of mile upon mile, hour upon hour, the mad rush of the journey between Point A and Point B. Contained in this volume: A Journey Up the Coast; On/Off the Beaten Path; and RoadKill (RD's epic about a 3,000 mile romp undertaken right before Sept. 11, 2001; a 10,000 plus word monster). Ride shotgun with RD as he muses about poets, poetry, friendships forged on hot asphalt and things observed from inside the cockpit of a car hurtling down the interstate at 65 + MPH.  
  • A collection of poetic "orphans." Poems that had fallen by the wayside because they didn't seem to be anything that anyone would want to have around (hence the "orphan"). The poetry in this collection hopscotches around encompassing the years 1993 to 2016. It represents the forgotten poems from four previous collections: Fire and Rain (Volumes 1 & 2), E/OR and the expurgated version, Living Among the Mangled. Remarkably, many of the poems are still relevant to the concerns that many of us have today. . . perhaps proving that RD is a savvy visionary or (more likely) that the story doesn't change, only the characters do.
  • ISBN: 9780998458069 48 pages Trade/perfect bound Chapbook
    By Gary Jacobelly
  • ISBN 9781929878581 132 Pages, 7.5 X 9.25 inches, Trade Paper
    By Ariana D. Den Bleyker
    Bipolar Disorder is a homegrown tornado, a swarm of insects buzzing in your ear, a picture of an eye that winks back at you. Discover it in a way you never have before. Discover prosthesis. Discover in prosthesis mental illness, the human mind, human hope and fear, love and hate, dream and defeat. It is a place of struggle, planning and realization, willing and creating. Walk a journey unlike any other, meeting fellow travelers, obstacles and unexpected turns, a labyrinth of recovery that seems to suspend time and invite you to embody the experience of mental illness in completely new way. "Throughout prosthesis, the wisdom within this small community is remarkable and generously given. Den Bleyker has a beautiful way with words and the book is made strong through the use of metaphor….This is a book that people with bipolar disorder, and those who love them, can both learn from and take solace in. No one, not even a person in a place of darkest suffering, is utterly alone." —Leslie McGrath, author of By The Windpipe and Out From the Pleiadas Ariana D. Den Bleyker is a Pittsburgh native currently residing in Upstate New York, a wife and mother of two. When she’s not writing, she’s spending time with her family and every once in a while sleeps. She is the author of several poetry chapbooks and collections and the novelette Finger : Knuckle : Palm (LucidPlay Publishing, 2014). Ariana is the founder of ELJ Publications, a small press featuring a number of serials, series and contests, including Emerge Literary Journal and scissors & spackle. Ariana believes in words, what they have to say to the world, to the reader, to you. She hopes her words touch you and thanks you for your interest in prosthesis. Read from a sample of Prosthesis
  • ISBN 9781929878543 180 pgs.
    By Scott Wannberg
    Edited by RD Armstrong Scott Wannberg was born in Santa Monica in February of 1953. A big man with an even bigger presence, he attended Venice High School and then went on to receive his master’s degree in creative writing from San Francisco State University. He was a poet’s poet and a human’s human who spent his life working as a sales clerk and book buyer for independent bookstores, most notably Dutton’s Books in Brentwood, where he held court and worked the stacks for almost 25 years. His book Nomads of Oblivion (Lummox Press) made the Los Angeles Times' bestseller list in 2000, and in the late 90s, Los Angeles Magazine named him one of the “Top 100 Coolest People” in L.A. In 2008, he relocated to Florence, Oregon, where he died too soon at the age of 58 in August of 2011.

    Special thanks to S.A. Griffin for Scott's bio (above) and other permissions and info.

    This book concern's itself with Scott's involvement with an obscure outpost located in the far reaches of his sphere of influence...namely the Lummox Press. It chronicles Scott's involvement with all things Lummox: the Lummox Journal, including his interview; the two Little Red Books of his poetry (Equal Opportunity Sledgehammer and Nomads of Oblivion), and his contributions to Eyes Like Mingus (Little Red Book #9), Last Call (Anthology of poets influenced by Bukowski), and The Colorado River Song sequence (about Scott's mother's passing). Scott was named "Lummox of the Year" in 1999 and a drawing was commissioned to artist and long-time Lummox friend Michael Paul. This same drawing appears on the cover of the book. He was actively a part of Lummox for 10 years. Also included are remembrances by several of his friends...Doug Knott, Lynn Bronstein, Steve Goldman, Dona Mary Dirlam, Hank Beukema and Victor Infante. Scott was the kind of guy who made a good impression on those receptive to that sort of thing. He delighted in playing with language, linking metaphors together that quite often seemed unlikely and impossible but, in the end, worked out as if by magic! For a sampling of Scott's work, go here. Or listen to Scott read a poem here. To see other Scott related Merchandise, go here. A poem from the book as read by its author, Hank Beukema.
  • ISBN 978-1-929878-41-3 120 pages, 6 X 9, Trade Paperback
    Songs of the Glue Machines is a collection of poetry detailing the working class within California’s San Joaquin Valley in the late Eighties and early Nineties. Nicholas Belardes’ raw lyricism offers a glimpse into the struggles of everyday blue-collar workers in a forgotten part of America. "Songs of the Glue Machines is part meditation, part lamentation, part gut-wrenching cry for a lost segment of humanity. Packing words drenched in sweat and blasted with furnace fury, Belardes' poems transform once invisible lives into true blood & bone beauty. Hard-worn and hopeless factory workers are elevated to saintly status." — RICH FERGUSON, author of 8th & Agony: Poems
    Songs of the Glue Machines Sampler  
    QUESTIONS?
  • ISBN 9780999778432
    Poetry Collection
    Speak the Language of the Land is the first of what will be an annual showcase of talented poets, presented by the Lummox Press in conjunction with The LUMMOX Poetry Anthology and the Angela Consolo Mankiewicz Poetry Prize (courtesy of the estate of Angela C. Mankiewicz and her husband, Richard Mankiewicz). The winners of this year's contest are: Jeffrey Alfier (Torrance, CA), 1st place; Mike Mahoney (Wallingford, PA), 2nd place; and Vachine (Los Angeles, CA), 3rd place. New to the contest are these Honorable Mentions: Donna Snyder (El Paso, TX); William Taylor, Jr. (San Francisco, CA); James Deahl (Canada); and April Bulmer (Canada).
  • ISBN 978-1-929878-17-8 106 pages, Trade Paperback
    I first heard Mike Adams reading selections from Steel Valley on the Jane Crown Show (pod cast) in 2009. I was so enthralled with what I heard that I called in and offered to publish the manuscript! Thus Steel Valley was born. — RD Armstrong John Macker, a respected poet, reviewer and small press publisher (the Desert Shovel Review) wrote this about Steel Valley: "I love poetry that illuminates the soul’s travelogue. You can feel with all senses the steel wheels of Mike Adams’ Pennsylvania steel mill and railroad boyhood pulse in every word; his clear, generous breaths open the heart to the wide expanses of the poet writing down his life. These tough, tender-eyed poems and prose pieces are at once blue collar and bohemian, homages to the drinking and the working life juxtaposed against a long poem about cooking green chili. There are disappearing riprap trails and epic family narratives that haunt and exhilarate. It is hard to find a geography worth its weight in memory that doesn't resonate with the blood and spirit of its inhabitants. Mike, like Ed Abbey before him, left behind the Wobbly Joe bars, mills, hills and scarred valleys of Pennsylvania for the boisterous outback of the comparatively wide, wild open West. Steel Valley is fine writing, epic and intimate." – John macker
    Sadly, on Sept. 28, 2013 we lost Mike to Cancer. He was a great man, both as poet and a human being, gentle & wise. He is sorely missed. Read a sample of Steel Valley here.  
  • SBN: 978-1-929878-83-3 Pages:138 Publishing Date: Jan. 2012 Brigit Truex has lived in the four quarters of the States since beginning her writing career. In each locale she has also established workshops to help others hone their prose and poetry as well, but her primary focus is on poetry. Her mixed ethnic background (French Canadian-Abenak/Cree and Irish) has been a theme she continues to explore in her work, approaching it from various angles. The historic Wakamatsu Tea and Silk Colony was based in the nearby community of Gold Hill, a scant 10 miles from where she currently lives in the Sierra Nevada foothills of northern California. Its universal story of "stranger in a strange land" resonated with her as the tale evolved and grew from an initial single poem into this detailed book, the result of extensive research and truthful imaginings. The author has been published here and abroad in various literary journals and anthologies including Atlanta Review, Tule Review, Native Literatures, Yellow Medicine Review and others. She is a board member of Wordcraft Circle of Native Writers and Storytellers and Native Writers Circle of the Americas.
  • ISBN 978-0-9997784-2-5 240 pgs. 8 X 10 inches Paperback
    Poetry Collection

    Edited by James Deahl

    Got a hankering for the Great White North? Want to let your inner Canuck out? This is your lucky day!
  • ISBN 9780998458083 CHAPBOOK - 58 pages
    By Jeannine M. Pitas
    These poems are my grateful response to those who dream. To my own ancestors and family members, without whom I would not be alive to write these words. To the many women who, despite terrible circumstances, have refused to be silenced. To all those people who acknowledge the truth that political borders are nothing but imaginary lines drawn on a map. To those who feed the hungry, shelter the homeless, and comfort the afflicted. Thank you so much. Now, more than ever, this world is needful of your compassion and hope. — Jeannine Pitas
  • ISBN 978-1-929878-57-4 8.25 X 8.25; Perfect Bound
    Poetry Collection
    Edited by Judith Robinson and Michael Wurster
    Pittsburgh Poetry Exchange was founded in 1974 by five of us—Dieter Weslowski, Lloyd Johnson, Vic Coccimiglio, J. W. Jansen, and myself—as a voluntary association of local poets. Its purpose was to provide services to local poets, especially those outside the “university loop.” We offered workshops, produced readings and events,and created a network for information. The core component of PPE has probably always been the open poetry workshop held the first Monday of each month. Initially, it was conducted at Lion Walk Performing Arts Center. Over the years, as circumstances changed, we occupied a number of venues, including The Famous Rider Cultural Center, a conference room in the Joyce Building, and City Books. Since 2011, we have been comfortably ensconced at the Brentwood Public Library. Despite the fact that workshop members represent varying degrees of poetic expertise, we operate as equals. It’s a great place for poets from novice to master to get helpful comments and feedback on their work. In the last 40 years, dozens (hundreds?) of poets have passed through the workshop. Among those who became nationally known would be Joan E. Bauer, Mike James, Joseph Karasek, Joy Katz, and Arlene Weiner. An open workshop necessarily produces poems ranging from great to awful, but there has developed an agreement that the general level of poems has never been higher than now. This was acknowledged by Gene Hirsch a few months ago when he suggested we should publish an anthology. This, dear reader, is what you hold in your hands. Pittsburgh Poetry Exchange Brentwood is not a historical anthology, but a collection of poems from the workshop now, its current members. We hope you enjoy it as much as Judy Robinson and I enjoyed putting it together. —Michael Wurster (from the forward)
  • ISBN 978-1-929878-75-8 60 pgs; 5.5 X 8.5 inches
    By John Sweet
    John Sweet of Endicott, New York is the winner of the first Lummox Poetry Prize - 2014. His poem, Hoarfrost Soliloquy, caught the eye of Judge RD Armstrong (while sifting through entries for LUMMOX 3 - A Poetry Anthology. Lummox Press congratulates John and the second and third place winners, William Taylor, Jr and Cristina Foskey, for their excellent writing skills. John received 50 copies of this chapbook as part of the prize. He also received a cash award of $200. For a closer look at The Century of Dreaming Monsters go to ISSUU  
  • ISBN: 978-1-929878-33-8 Pages:120 Publishing Date: Mar. 2012 Leonard J. Cirino passed away on March 10, 2012
He is greatly missed. Leonard J. Cirino (1943 - 2012) was the author of nineteen chapbooks and seventeen full-length collections of poetry since 1987 from numerous small presses. He lived in Springfield, Oregon, where he retired and worked full-time as a poet. His full-length collection, Chinese Masters, is from March Street Press, 2009. His 100 page collection, Omphalos: Poems 2007 was published in 2010 from Pygmy Forest Press. A 64 page selection, Tenebrion: Poems 2008 is from Cedar Hill Publications, in 2010. His 60 page collection, Triple Header is due from Cervena Barva Press, E. Somerville, MA in 2012. His collection, Homeland, Exile, Longing & Freedom was published by AA Press in 2011.
    About the book: In the late 80’s some friends of mine traveled to Europe and left me with several anthology translations from the southern and eastern Europeans and my interest in poetry was restored. I had become very despondent with the quality of US poets since the deaths of Lowell, Berryman, Sexton, Theodore Roethke, and James Wright. Very few US poets spoke to me then and they still do not now. I think this is when I began to find my own voice mixed among the voices of many poets I could relate to – men and women who had been through either the Spanish Civil War or World War 2 – either under Nazi or Communist occupation. I still devote most of my reading, except for magazines, to poets in translation. I’d say that 75-80% of the poetry I read is in translation because I find people from around the world have far more to say than the poets in the US who are either self-described “outlaws” or belong to the privileged or academic classes and I don’t relate to either of them. As one of my poems says, “He was hard at work being unemployed,” and only in the last five years of working did I live above the poverty level. I always had food and shelter and enough street smarts to trade for used books and I didn’t want for much more than that. As far as where my writing is going I just keep on keeping on. I have received no awards or grants, won no contests, yet I am among the most devoted, well read, and hardest working poets in the US or anywhere. I don’t have many illusions about success—especially in today’s literary market—so I will go on in my suburban hermit mode and do the real work. Most likely I will keep on reading translations from all over the world and use the poets I read to “inspire” my own work. As this title says, I have become “The Instrument of Others.” — Leonard J. Cirino "Poets like Cirino, who trust in metaphor as a path to poetic and perhaps spiritual enlightenment, who follow European symbolist models in the attempt to de-familiarize the ordinary and expose its full dimensions, and who approach the world with a generosity of perception rather than an intellectual full-court press are not currently in fashion. The publishing world is only occasionally friendly to them." — William Doreski (from the preface)
  • ISBN 978-1-929878-72-7 154 pages; Perfect Bound; 6 X 9 inches
    Poetry Collection
    The quiet confiding voice of radio sees us through our commutes, educates, and amuses us. We feel that we know the hosts on such shows as All Things Considered, RadioLab, This American Life, Prairie Home Companion, Snap Judgment, and that they could be friends, sharing our interests and sensibilities. For its part, Public television becomes a trusted sanctuary from crass commercials, laugh tracks, unfunny comedies rising in volume as they grow more empty in content. We start with shows like Sesame Street, Electric Company, Mr. Rogers, Reading Rainbow and continue on to Frontline, The Nightly News, and the many guilty pleasures of adult Anglophiles, such as Masterpiece Theater and Mystery. It shouldn’t surprise us then to see that so many have responded in kind, speaking back to the speakers, inspired by what they hear and see. What may be more surprising is that no one seems to have had the idea of gathering these works together into an anthology, though they have appeared here and there, in poetry collections and journals. For me, the greatest delight in receiving these pieces has been to recognize the stories I have heard on the radio, with the added dimension of another’s perception added in. This brings home the truth that each of us could start with the same raw material and yet produce finished products that resemble one another only in incidental ways. Our national tragedies and triumphs, the odd idiosyncratic stories of individuals, the stuff of our daily lives and explorations all appear here, care of the diligent reporters of our national media. It is wonderful to realize that in some sense we are all one, listening or watching alone in the dark, but part of a larger tribe. This may be the closest thing we can experience to unanimity and belonging in this fractured land. — Robbi Nester, editor (from the introduction)
    This collection of poems by poets from all over the U.S. and from across the ocean was published by a new sub-division of the Lummox Press, Nine Toes Press, in April (National Poetry Month, btw). Featuring Poets: Martha O. Adams, RD Armstrong, Anne Baber, Sally Ball, Kris Bigalk, Lavina Blossom, Allen Braden, Kirstin Bratt, Julie Bruck, Mary Bullington, Sheryl Clough, Michael Colonnaise, Barbara Crooker, Donna Decker, Barbara Duffey, Blas Falconer, Jennifer Flescher, Rupert Fike, Deborah Gang,Howie Good, Rick Hamwi, Kenneth Hart, Juleigh Howard-Hobson, M.E. Hope, Kate Hutchinson, Luisa Igloria, Tim Kahl, Marie Kane, Deda Kavanagh, Elizabeth Kelikowske, Kathryn Kopple, Judy Kronenfeld, Jane Rosenberg LaForge, Ron Lavalette, Christina Lovin, Amy MacLennen, Joan Mazza, Kelly Nelson,Robbi Nester, Barbra Nightingale, Hal O’Leary, Susan Blackwell Ramsey, Penelope Schott, Brittney Scott, Patricia Scruggs, Martha Silano, M.E. Silverman, Susan Snowden, Nina Soifer, Onna Solomon, Robin Stratton, Lisa Stonestreet, Meryl Stratford, Marly Youmans, Kit Zak. View a sampler of poems on ISSUU.COM  
  • ISBN 9780998458007 30 Pages
    By Ron Lucas
    "I have been writing all my life. As a child in rural KY, I wrote long, highly derivative, doubtlessly horrible novels and intuitively mailed them to the only address I knew: my hillbilly transplant grandparents in Indiana. As an adult, I've been publishing poetry in the small presses for decades. I also suffer from anxiety and depression... when the "Great Recession" hit, I lost my car, my job, my place, and... my mind. I became so deeply depressed I even stopped writing for the first time ever. Several years later, when I started again, I found myself writing about my childhood; a topic I'd virtually never covered. And I found it very cathartic. This book grew, rather organically, out of that. I chose the title and cover because that old architectural oddity of a market is such a powerfully evocative symbol of that time and place for me." — Ron Lucas
  • ISBN 978-0-9984580-5-2 6 X 9; 120 pages; Trade Paper
    By Bill  Gainer

    Bill Gainer’s world is not a safe place, not for the old men, not for him. It’s a place of mysterious things, happenings, people, and times. It’s a place where the mysteries of old men are told, not with guilt, but as they happened. The Mysterious Book of Old Man Poems tells of a time mostly past, not forgotten, but hidden away in the hearts of old men, its magic intact.

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