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ISBN 978-0-9984580-5-2 6 X 9; 120 pages; Trade Paper
By Bill Gainer
Bill Gainer’s world is not a safe place, not for the old men, not for him. It’s a place of mysterious things, happenings, people, and times. It’s a place where the mysteries of old men are told, not with guilt, but as they happened. The Mysterious Book of Old Man Poems tells of a time mostly past, not forgotten, but hidden away in the hearts of old men, its magic intact.
ISBN 978-0-998458076 108 pages, Trade Paperback
By Alex Johnston
For me, writing poetry is like solving, and then creating a puzzle. I see or experience things I know I want to write about, we all do. Figuring out a way to put those experiences on paper, so as to make them readable, is how one solves the puzzle. Avoiding straightforwardness and balancing on a knife edge, between enigmatic and readability, is how one creates the puzzle. I spent nearly three years revisiting, rewriting and re-getting pissed off at, The October Horse. I reference this poem so much because it is also almost entirely autobiographical (as is most of the book). I trudged through problems with addictions, like so many other 20 somethings, and I was maybe one or two bad decisions away from writing this book in prison (lucky me). The poem is so important to me because even when I was in the total animal soup of time (Ginsberg again!), I knew I wanted to write about that chapter of my life. — Alex JohnstonRead a sampling of poems from this book here. Read an interview with Alex Johnston here.
ISBN 9781929878789 40 pages
By RD ArmstrongThomas K. Armstrong, my father, died in early January 2015, in his sleep of a heart attack. He had suffered, over the past six years, from Vascular Dementia (the lesser-known half of senility, Alzheimer's being the more widely known form). A month before, in Dec. of 2014, I had been to see him. This chapbook contains poems and blogs about that visit and his subsequent death. People deal with the death of a parent in many ways: denial, anger, guilt, bargaining, transference...it goes on and on. Grief has no timetable either so it may take years for that loss to resolve itself (or it may never happen). In my case, I turned to a projection of my dad as a black rabbit. Some might call this transference or an animal fetish; I dunno.
ISBN 9780998458083 CHAPBOOK - 58 pages
By Jeannine M. Pitas
These poems are my grateful response to those who dream. To my own ancestors and family members, without whom I would not be alive to write these words. To the many women who, despite terrible circumstances, have refused to be silenced. To all those people who acknowledge the truth that political borders are nothing but imaginary lines drawn on a map. To those who feed the hungry, shelter the homeless, and comfort the afflicted. Thank you so much. Now, more than ever, this world is needful of your compassion and hope. — Jeannine Pitas
ISBN 9780999778401 52 pgs. Perfect Bound
By Gil Hagen Hill
The past haunts these highly allusive poems, rich with thoughtful, precise images that convey “numinous ambiguities,” as in the title poem. A Circle of Bones is a welcome addition to 21st-century American poetry. — Clifton Snider
Poetry CollectionSpeak the Language of the Land is the first of what will be an annual showcase of talented poets, presented by the Lummox Press in conjunction with The LUMMOX Poetry Anthology and the Angela Consolo Mankiewicz Poetry Prize (courtesy of the estate of Angela C. Mankiewicz and her husband, Richard Mankiewicz). The winners of this year's contest are: Jeffrey Alfier (Torrance, CA), 1st place; Mike Mahoney (Wallingford, PA), 2nd place; and Vachine (Los Angeles, CA), 3rd place. New to the contest are these Honorable Mentions: Donna Snyder (El Paso, TX); William Taylor, Jr. (San Francisco, CA); James Deahl (Canada); and April Bulmer (Canada).
A collection of poetic "orphans." Poems that had fallen by the wayside because they didn't seem to be anything that anyone would want to have around (hence the "orphan"). The poetry in this collection hopscotches around encompassing the years 1993 to 2016. It represents the forgotten poems from four previous collections: Fire and Rain (Volumes 1 & 2), E/OR and the expurgated version, Living Among the Mangled. Remarkably, many of the poems are still relevant to the concerns that many of us have today. . . perhaps proving that RD is a savvy visionary or (more likely) that the story doesn't change, only the characters do.