All Books

  • 210 pages; 6X9 size; Trade Paperback ISBN 978-1-929878-96-3
    By RD Armstrong
    Volume one of a two-part set featuring selected poems from 1993 to 2007, including some of RD's 'signature' poems, like "Eyes Like Mingus", "Pueblo de las Putas" and "Corazon". These are poems you might hear him read at one of his many features in the Small Press poetry scene. All the poems in this two volume set were hand picked by RD as his personal favorites.
  • 156 pages; 6X9 size; Trade Paperback ISBN 978-1-929878-97-0
    By RD Armstrong
    Volume two of a two-part set featuring selected poems from 1993 to 2007, including some of RD's 'signature' poems, like "Yardbird Burned", "Sanitized for Your Protection" and "Things I Notice 4". These are poems you might hear him read at one of his many features in the Small Press poetry scene. All the poems in this two volume set were hand picked by RD as his personal favorites.
  • 116 pages; 6X9 sized Trade Paperback ISBN 978-1-929878-99-4
    By RD Armstrong
    Three poems written about road trips...the lure of the road, the frantic pace of mile upon mile, hour upon hour, the mad rush of the journey between Point A and Point B. Contained in this volume: A Journey Up the Coast; On/Off the Beaten Path; and RoadKill (RD's epic about a 3,000 mile romp undertaken right before Sept. 11, 2001; a 10,000 plus word monster). Ride shotgun with RD as he muses about poets, poetry, friendships forged on hot asphalt and things observed from inside the cockpit of a car hurtling down the interstate at 65 + MPH.  
  • 120 pages; 6X9 sized Trade Paperback ISBN: 978-1-929878-98-7
    By RD Armstrong
    The stories in this slim volume, reflect the influence of Charles Bukowski, whom RD has read extensively. But as was noted by one of his fans, this collection of short stories "Out Bukowski's Bukowski!"  These are tales of extraordinary madness. And while they might appear to be autobiographical, they are not, well not really. RD plays pretty fast and loose with the "facts". Better than a cold shower. — Andrea Kowalski
     
  • 189 pages; 6X9 sized Trade Paperback ISBN 978-1-929878-30-7
    By RD Armstrong
    Near the end of 2008, RD wound up in an L. A. County hospital for 14 days. He nearly lost his right foot to an infection. It was during that time that he was diagnosed with Diabetes. It was a sobering experience (literally!). This collection of poetry and blog entries describes that time period, from the beginning of 2008 (the drunkard's lifestyle) to the end of 2010 (reformed and living right). It includes everything he wrote about that time...the good, the bad and the horribly ugly! A rough-and-tumble look at health-care for the poor and drunken and the questionable coping methods used to get by.
  • 132 pages: 6X9 sized Trade Paperback ISBN 978-1-929878-90-1
    By RD Armstrong
    This is the leaner, meaner fighting weight version of E/OR. All the beautiful pieces with none of the fat.
  • Edited by RD Armstrong 150 pages; 6X9 sized Trade Paperback ISBN 978-1-929878-86-4 This is the reprised version, new and improved, and ready to take up the banner dropped by the old man so many years ago (we just celebrated Buk's 93rd birthday in Aug. of 2013). If you ever wondered what Bukowski spawned by his example, then you need to read this book, which contains poetry, fiction, essays and artwork all inspired by the old dog!  
  • Edited by RD Armstrong 178 pages; 6X9 sized Trade Paperback ISBN 978-1-929878-93-2
    By Todd Moore
    This anthology deals with the passing of Small Press legend and Lummox Press favorite, Todd Moore, who passed away suddenly in March of 2010. Todd was a prolific poet who choose the gangster John Dillinger as his poetic persona. Many of Todd's pals are included in this volume which features poetry and essays about the Co-Founder of the Outlaw School of Poetry. There's also a near-complete bibliography of Todd's books, chapbooks and recordings included. Due to some bureaucratic BS, there is no poetry by Todd Moore in this book. But there are other books and chapbooks published by Lummox Press, most notably, The Riddle of the Wooden Gun which came out in 2009.  That book concerns Dillinger's "mythic" escape from the Crown Point Jail in 1933, supposed using a gun that was carved out of wood...  
  • ISBN 9781929878543 180 pgs.
    By Scott Wannberg
    Edited by RD Armstrong Scott Wannberg was born in Santa Monica in February of 1953. A big man with an even bigger presence, he attended Venice High School and then went on to receive his master’s degree in creative writing from San Francisco State University. He was a poet’s poet and a human’s human who spent his life working as a sales clerk and book buyer for independent bookstores, most notably Dutton’s Books in Brentwood, where he held court and worked the stacks for almost 25 years. His book Nomads of Oblivion (Lummox Press) made the Los Angeles Times' bestseller list in 2000, and in the late 90s, Los Angeles Magazine named him one of the “Top 100 Coolest People” in L.A. In 2008, he relocated to Florence, Oregon, where he died too soon at the age of 58 in August of 2011.

    Special thanks to S.A. Griffin for Scott's bio (above) and other permissions and info.

    This book concern's itself with Scott's involvement with an obscure outpost located in the far reaches of his sphere of influence...namely the Lummox Press. It chronicles Scott's involvement with all things Lummox: the Lummox Journal, including his interview; the two Little Red Books of his poetry (Equal Opportunity Sledgehammer and Nomads of Oblivion), and his contributions to Eyes Like Mingus (Little Red Book #9), Last Call (Anthology of poets influenced by Bukowski), and The Colorado River Song sequence (about Scott's mother's passing). Scott was named "Lummox of the Year" in 1999 and a drawing was commissioned to artist and long-time Lummox friend Michael Paul. This same drawing appears on the cover of the book. He was actively a part of Lummox for 10 years. Also included are remembrances by several of his friends...Doug Knott, Lynn Bronstein, Steve Goldman, Dona Mary Dirlam, Hank Beukema and Victor Infante. Scott was the kind of guy who made a good impression on those receptive to that sort of thing. He delighted in playing with language, linking metaphors together that quite often seemed unlikely and impossible but, in the end, worked out as if by magic! For a sampling of Scott's work, go here. Or listen to Scott read a poem here. To see other Scott related Merchandise, go here. A poem from the book as read by its author, Hank Beukema.
  • ISBN 978-1929878642 152 pages
    By James Deahl
    I generally do not believe that books, especially poetry books, require an introduction. I make an exception here because there is a genuine break between the poetry I wrote from 1964 until 2007 and the poetry contained in this volume. My wife, Gilda Mekler, died on February 7, 2007. Four months later (on June 5th of that year) I wrote the firs poem collected here. When Gilda died very shortly after her fifty-third birthday, I thought I would also die. Readers will note that this feeling informs several of the poems that follow. A few months later, my grief entered its second phase. When it appeared that I was not going to die, I passionately wanted to die, I longed for my days of sorrow to end. Eventually, this led to a third and quite shocking phase of what might be called the death experience: the realization that I had, in fact, died with Gilda on February 7th. Our lives ended together. The Creator, however, had other plans for me, and the James Deahl who has written poetry and prose since that date, is a very different writer from the James Deahl who had written and published poetry for over four decades. I retain all the memories of that other poet, and I live in his body. And like him, I also labour in God’s vineyard, as Czesław Miłosz put it so well. Using the same name, I continue the work our Creator set out for us when that other writer was born following the close of World War II. But I truly have been born anew. So this collection opens with twenty-three poems written between June 5 and November 14, 2007. These were published as a limited edition chapbook by my friend and fellow poet, Allan Briesmaster, through his Aeolus House in 2008. This chapbook was my first writing since my death and rebirth. — From the Introduction by James Deahl, Sarnia, Ont. Canada, 2016
  • ISBN 9781929878710 48 pages; 5.5 X 8.5 inches, Perfect Bound
    Poetry Collection
    In late September, 2013, Mike Adams died, a victim of Cancer. He was too young, only in his early sixties. I'd known him for four years, though he claimed we'd met back in '06 in Las Vegas, NM. I don't remember that, but I do remember hearing him on the Jane Crown Show in '09. I liked what I heard...it's not often that you can judge a man by his words alone, and the sound of his voice; these days especially. Mike struck me as being someone i could trust. Sadly, there haven't been too many people in the past twenty years that I could say that about. Unchainable Spirit is a tribute chapbook about Mike, filled with poems by some of his poetic best friends, all of whom are master poets themselves and all paying homage to their fallen friend. Their poems reflect the respect that Mike deserved; they don't stray into emotive, confessional poetry but speak to the heart of the matter including the devastation left in the wake of his passing. Here's who was involved in this project: RD Armstrong, Jared Smith, Phil Woods, Jerry Smaldone, Deborah Kelly, Padma Thornlyre, Judyth Hill, Linn G. Baker, Roseanna Frechette, John Macker, Rosemerry Wahtola Trommer, Art Goodtimes, Claire Mearns, Stewart Warren, G. Murray Thomas, Lawrence Gladeview, Jim Bernath, James Taylor III and Mike Adams, whose presence in our lives, inspired this. Mike Adams was many things to many people. He was a skilled writer and poet, mountain climber, wonderful husband, Fire-Giggler, environmentalist, practicing Buddhist, teacher and most importantly, he was one helluva friend! This one's for you, Mike...RD Armstrong, Editor & Publisher Preview this chapbook on issuu.com  
  • By Linda Lerner
    ISBN 978-1-929878-51-2 32 PAGES; TRADE PAPER Linda Lerner, a small press veteran of numerous years, has wives tale-3put together a volume of "nursery rhymes" with a distinctly modern interpretation. Along with the drawings of her friend and artist, Donna Kerness, Lerner takes on such classics as London Bridge is Falling Down, Ring Around the Rosy, Jack Sprat, Rip Van Winkle and Humpty Dumpty. "Poet Linda Lerner pens modern day nursery rhymes, playful but with well-placed poetic barbs, thrown at our everyday insular lives, and the injustices that are ignored by us or experienced by us. Lerner gives us rhyme for our time." Doug Holder/ Lecturer in Creative Writing/Endicott College/Beverly, MA   CONTENTS We What Just happened Catch Me If You can The Sound of London Bridges Falling in NYC Ring Around the Rosy: A Danse Macabre The Mother Who Gives Birth to a Poem Remember, remember the Fifth of November Stumbling on Jack’s Road An Old Wives Tale or a Rip Van Winkle Story When Every Color Became Red Humpty Dumpty Linda Lerner's Takes Guts & Years Sometimes was published by NYQ Books, June, 2011; she’s previously published thirteen collections of poetry and been nominated twice for a pushcart prize. Her poems have recently been in New Verse News, Gutter Eloquence, The Brooklyn Voice, Danse Macabre, Two Bridges, Presa, Fall, 2011 (featured poet) Lummox, Home Planet News, Big Hammer, and The Mom Egg; her essay "Land Grab: Putting Down Stakes" appeared in The Brooklyn Voice, March, 2013. Her next collection, Yes, the Ducks Were Real, will be published by NYQ Books. Donna Kerness has been producing Art of various mediums over the years. Her inspirations have emerged from her past... She was a Dancer at the Henry Street Playhouse with Alwin Nikolais, and Murray Louis, a casual fellow poet and friend of Linda Lerner, and an Underground Cinema Super Star, in the movies of the Kuchar Brothers, during the Sixties in New York. After relocating to San Antonio and raising a family, now is working with Sketching, Drawing, Painting and Multimedia Art which has been exhibited at the Highwire Gallery, in San Antonio, Texas.
     
  • ISBN 978-1-929878-72-7 154 pages; Perfect Bound; 6 X 9 inches
    Poetry Collection
    The quiet confiding voice of radio sees us through our commutes, educates, and amuses us. We feel that we know the hosts on such shows as All Things Considered, RadioLab, This American Life, Prairie Home Companion, Snap Judgment, and that they could be friends, sharing our interests and sensibilities. For its part, Public television becomes a trusted sanctuary from crass commercials, laugh tracks, unfunny comedies rising in volume as they grow more empty in content. We start with shows like Sesame Street, Electric Company, Mr. Rogers, Reading Rainbow and continue on to Frontline, The Nightly News, and the many guilty pleasures of adult Anglophiles, such as Masterpiece Theater and Mystery. It shouldn’t surprise us then to see that so many have responded in kind, speaking back to the speakers, inspired by what they hear and see. What may be more surprising is that no one seems to have had the idea of gathering these works together into an anthology, though they have appeared here and there, in poetry collections and journals. For me, the greatest delight in receiving these pieces has been to recognize the stories I have heard on the radio, with the added dimension of another’s perception added in. This brings home the truth that each of us could start with the same raw material and yet produce finished products that resemble one another only in incidental ways. Our national tragedies and triumphs, the odd idiosyncratic stories of individuals, the stuff of our daily lives and explorations all appear here, care of the diligent reporters of our national media. It is wonderful to realize that in some sense we are all one, listening or watching alone in the dark, but part of a larger tribe. This may be the closest thing we can experience to unanimity and belonging in this fractured land. — Robbi Nester, editor (from the introduction)
    This collection of poems by poets from all over the U.S. and from across the ocean was published by a new sub-division of the Lummox Press, Nine Toes Press, in April (National Poetry Month, btw). Featuring Poets: Martha O. Adams, RD Armstrong, Anne Baber, Sally Ball, Kris Bigalk, Lavina Blossom, Allen Braden, Kirstin Bratt, Julie Bruck, Mary Bullington, Sheryl Clough, Michael Colonnaise, Barbara Crooker, Donna Decker, Barbara Duffey, Blas Falconer, Jennifer Flescher, Rupert Fike, Deborah Gang,Howie Good, Rick Hamwi, Kenneth Hart, Juleigh Howard-Hobson, M.E. Hope, Kate Hutchinson, Luisa Igloria, Tim Kahl, Marie Kane, Deda Kavanagh, Elizabeth Kelikowske, Kathryn Kopple, Judy Kronenfeld, Jane Rosenberg LaForge, Ron Lavalette, Christina Lovin, Amy MacLennen, Joan Mazza, Kelly Nelson,Robbi Nester, Barbra Nightingale, Hal O’Leary, Susan Blackwell Ramsey, Penelope Schott, Brittney Scott, Patricia Scruggs, Martha Silano, M.E. Silverman, Susan Snowden, Nina Soifer, Onna Solomon, Robin Stratton, Lisa Stonestreet, Meryl Stratford, Marly Youmans, Kit Zak. View a sampler of poems on ISSUU.COM  
  • Wildwood

    $15.00
    By Kyle Laws
    ISBN 978-1-929878-73-4 106 pages; Perfect Bound; 6 X 9 inches
    These poems inhabit place—beginning on the Jersey shore; moving to southern Colorado, northern New Mexico, and the wild spaces between; returning to the fringes of seaside resorts by way of New Orleans—telling all the details; using words like paint; layering sights, sounds, smells, tastes, and finally touch; uniting ideas with lyricism to yield connections between past and present, ocean and desert, mountain and river, men and women; unafraid of the trouble and tangle to grow and thrive. “I too have memories of "the shore," so Wildwood brings a rush—like looking into someone else's old photo album— of vivid images, scents, and O, the sounds of voices. Watching the grownups, hearing the histories, and almost too quickly making one's own life story, Kyle Laws' poems move from the shore to other storied places: New Orleans, Taos, Pueblo, St. Augustine, and return full circle to the Cape May milieu she knows so well. They are a guided tour, not only of one family's personal struggle, but the universal quest for understanding how we grow and survive, with the grace to be alive to the world.” — Ruth Moon Kempher, Kings Estate Press
    View a sampler of poems on ISSUU.COM Read an Interview with Kyle here.
     
  • ISBN 978-1929878-39-0 140 pages, 6 X 9, Trade Paperback 5150: A Memoir is no ordinary collection. It is a mixture of poetry and prose that explores her own personal journeys inside and outside of the psych ward. Dealing with issues such as sexuality, self-mutilation, eating disorders, substance abuse, and mental health, her book addresses a lot of issues that are seldom talked about (but need to be). She is currently on her way to recovery, and she hopes that by sharing her story with the world, she can help others in difficult times find the light and confidence within themselves to succeed in this difficult and fast paced world that we live in. The term 5150 refers to the section of the California Penal Code which deals with subjects who are, or may be, a danger to themselves because of mental disturbance. It allows law enforcement to hold a person for 72 hours for observation , to determine if they require a further, longer stay in the hospital (5250). "As a reader, I treasure your work; as a writer, I greatly admire your creativity and skill; as someone who also endures the temptations of addiction, I empathize with your daily challenges but, most of all, I respect the determination with which you have successfully worked to control those demons." — James Greco, fan & writer 5150 Sampler  
  • Her

    $15.00
    ISBN 978-1-929878-40-6 128 pages, 6 X 9, Trade Paperback
    "I wrote her to honor her (the pronoun, the ‘used to’ parts in me), to try and de-toggle something in me, to uphold a previous (yet very necessary) identity while making space in me for new pronouns, new identities. The future tense of the present houses the past in a sweet casing. I want to honor the her in me: the her in her stilettos and pencil skirts, the her who begins to become the land of the Australian outback (with dreadlocks and bare feet), the her that is less her and more something else with that shaved head and those boxers, pants sagging into a plethora of pronouns. All of these deserve honor because all of them are true: all of these are me." — j/j hastain "One of poetry's most bedeviling challenges is to render the ineffable into language.The bolder poets face the difficulty of not only writing about the complex subjects but of writing about those liminal spaces in topics where language does not yet exist. j/j hastain has succeeded here as few yet have in being able to give voice to the unfolding/enfolding complexities of gender and identity." — Eloise Klein Healy, poet & first Poet Laureate of Los Angeles, CA
    her Sampler
  • ISBN 978-1-929878-41-3 120 pages, 6 X 9, Trade Paperback
    Songs of the Glue Machines is a collection of poetry detailing the working class within California’s San Joaquin Valley in the late Eighties and early Nineties. Nicholas Belardes’ raw lyricism offers a glimpse into the struggles of everyday blue-collar workers in a forgotten part of America. "Songs of the Glue Machines is part meditation, part lamentation, part gut-wrenching cry for a lost segment of humanity. Packing words drenched in sweat and blasted with furnace fury, Belardes' poems transform once invisible lives into true blood & bone beauty. Hard-worn and hopeless factory workers are elevated to saintly status." — RICH FERGUSON, author of 8th & Agony: Poems
    Songs of the Glue Machines Sampler  
    QUESTIONS?
  • ISBN 978-1-929878-42-0 160 PAGES, 6 X 9, Trade Paperback
    "When I was a child I believed in visions. Even as an adult I kept insisting the impossible was acceptable. A tiger was in my grandmother's basement, the one I was fleeing from. In D.R. Wagner's collection, a reader wants to flee into his visions. Find that tiger. It is with the epitome of grace and magic that these poems align themselves with our inner kid, find such realities that only dream worlds can make true. Here darkness can be dazzling! The password is letting it happen. Wagner does this for us." — Ann Menebroker, poet "D.R. Wagner grinds a fine lens that reveals time, in all its bewildering mystery, as an ally, takes the fledged moment into his hands and breathes life into the stillborn. He can melt the barriers between heaven and earth with a turn of his eye, and perhaps, just perhaps, pull a car out of a ditch with a broken comb that he finds behind our left ear." — T. L. Kryss, poet
    Breaking and Entering Sampler  
  • ISBN 978-1-929878-46-8 34 pages; 5.5 X 8.5; chapbook For over 35 years, Taylor Graham has been working with Search & Rescue (SAR) dogs. She has traveled far and wide searching for lost hikers in the wilderness, victims of earthquakes and sadly, dead bodies. Walking the Puppy contains poems written for/about her current dog, Loki. Even though Taylor has retired from active duty, Loki has not...as Taylor puts it, SAR dogs never retire, so they must be continuously trained and exercised. This chapbook was a precursor to a larger collection remembering all of Taylor's dogs and their adventures over the years, entitled What The Wind Says. If you love dogs, you're going to love these books. Walking The Puppy Sample  
  • 190 pages; 6 X 9 sized Trade Paperback ISBN 978-1929878451
    “In The Broken Lines, Judith Skillman distills the wisdom gained from her long successful career as a poet into a succinct [number of] pages that are remarkable for their liveliness and enthusiasm as well as for their accessibility. Aspiring poets should find the practical advice she offers not only helpful but inspiring. —Stephen Meats, Poetry Editor, The Midwest Quarterly.” “Another highlight is Judith Skillman’s [chapter] “Revising Your Poetry Manuscript for Theme.” Skillman’s advice and exercises will be helpful to poets wondering how to arrange disparate poems into a coherent manuscript for submission to a first book contest or publisher.” — excerpted from RATTLE Magazine’s review of Women on Poetry The goal of this book is to enable poets at all stages of development to move from their current stage or plateau to the next level in cultivating a unique voice and poetic music. This book encourages the student of poetry to entertain a kind of Zen consciousness, a “Beginner’s Mind”—for that is the only way to continue serenely in the business of writing poems. The work is cognizant of the fact that most often, if you ask a person why they write poetry, the answer will be “Because I have no choice.” This text can be used by a poet on his or her own, or it can become a tool in the classroom. Broken Lines contains chapters on theory and practice. Whether one is a beginning writer, has been writing for years and never taken a class, or has published work in journal and/or book form, Broken Lines includes content to propel the writing life forward. — Judith Skillman, author of Broken Lines
    Broken Lines Sampler  
  • 108 pages; 6 X 9 Trade Paper ISBN 978-1-929878-48-2
    "Days and nights in Los Angeles, roots tugged out, wrung out, chatrooms, classrooms, malls, toilets, Help Wanted at the 7-Eleven, elusive boys, "urgent hunger," the American 20th century, loneliness and betrayal—these poems have begun to haunt me. Alex Frankel sings in a register almost beyond hearing, the pain is so keen, the writing so fine." — Alicia Ostriker, author of The Book of Seventy
    Cover art by Luka Fisher
    Read Samples from the book.  
  • 160 pages; 6 X 9 Perfect bound, Softcover ISBN 978-1-929878-49-9 For over 35 years Taylor Graham has been a volunteer search-and-rescue (SAR) dog handler. She and her husband have trained their German Shepherds to find missing people - in Alaska, rural Virginia, and California. She's a veteran of the 1985 Mexico City earthquake, the Berkeley-Oakland Hills firestorm, and other disasters, as well as hundreds of searches for lost hunters and hikers, elderly walkaways, victims of drowning, avalanche and homicide. For ten years she edited the National Association for Search and Rescue's SAR Dog ALERT newsletter. With her search dog, she spent two summers as a Forest Service volunteer ranger in the Mokelumne Wilderness. No longer on SAR callout, she still trains her dogs at least weekly; German Shepherds don't understand retirement.
    For my husband, Hatch, who’s had dogs all his life; and for all the dogs who’ve shared our lives and taught us so much — Taylor Graham "If they don't allow dogs in heaven, then I don't want to go!" — Grandpa Armstrong
    Look through a sampling of poems from this book.
     
  • ISBN: 978-1-929878-33-8 Pages:120 Publishing Date: Mar. 2012 Leonard J. Cirino passed away on March 10, 2012
He is greatly missed. Leonard J. Cirino (1943 - 2012) was the author of nineteen chapbooks and seventeen full-length collections of poetry since 1987 from numerous small presses. He lived in Springfield, Oregon, where he retired and worked full-time as a poet. His full-length collection, Chinese Masters, is from March Street Press, 2009. His 100 page collection, Omphalos: Poems 2007 was published in 2010 from Pygmy Forest Press. A 64 page selection, Tenebrion: Poems 2008 is from Cedar Hill Publications, in 2010. His 60 page collection, Triple Header is due from Cervena Barva Press, E. Somerville, MA in 2012. His collection, Homeland, Exile, Longing & Freedom was published by AA Press in 2011.
    About the book: In the late 80’s some friends of mine traveled to Europe and left me with several anthology translations from the southern and eastern Europeans and my interest in poetry was restored. I had become very despondent with the quality of US poets since the deaths of Lowell, Berryman, Sexton, Theodore Roethke, and James Wright. Very few US poets spoke to me then and they still do not now. I think this is when I began to find my own voice mixed among the voices of many poets I could relate to – men and women who had been through either the Spanish Civil War or World War 2 – either under Nazi or Communist occupation. I still devote most of my reading, except for magazines, to poets in translation. I’d say that 75-80% of the poetry I read is in translation because I find people from around the world have far more to say than the poets in the US who are either self-described “outlaws” or belong to the privileged or academic classes and I don’t relate to either of them. As one of my poems says, “He was hard at work being unemployed,” and only in the last five years of working did I live above the poverty level. I always had food and shelter and enough street smarts to trade for used books and I didn’t want for much more than that. As far as where my writing is going I just keep on keeping on. I have received no awards or grants, won no contests, yet I am among the most devoted, well read, and hardest working poets in the US or anywhere. I don’t have many illusions about success—especially in today’s literary market—so I will go on in my suburban hermit mode and do the real work. Most likely I will keep on reading translations from all over the world and use the poets I read to “inspire” my own work. As this title says, I have become “The Instrument of Others.” — Leonard J. Cirino "Poets like Cirino, who trust in metaphor as a path to poetic and perhaps spiritual enlightenment, who follow European symbolist models in the attempt to de-familiarize the ordinary and expose its full dimensions, and who approach the world with a generosity of perception rather than an intellectual full-court press are not currently in fashion. The publishing world is only occasionally friendly to them." — William Doreski (from the preface)
  • SBN: 978-1-929878-83-3 Pages:138 Publishing Date: Jan. 2012 Brigit Truex has lived in the four quarters of the States since beginning her writing career. In each locale she has also established workshops to help others hone their prose and poetry as well, but her primary focus is on poetry. Her mixed ethnic background (French Canadian-Abenak/Cree and Irish) has been a theme she continues to explore in her work, approaching it from various angles. The historic Wakamatsu Tea and Silk Colony was based in the nearby community of Gold Hill, a scant 10 miles from where she currently lives in the Sierra Nevada foothills of northern California. Its universal story of "stranger in a strange land" resonated with her as the tale evolved and grew from an initial single poem into this detailed book, the result of extensive research and truthful imaginings. The author has been published here and abroad in various literary journals and anthologies including Atlanta Review, Tule Review, Native Literatures, Yellow Medicine Review and others. She is a board member of Wordcraft Circle of Native Writers and Storytellers and Native Writers Circle of the Americas.

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